Nuevos balcones digitales

la incorporación del hipermedia en los museos de arte

Authors

  • Laura Regil

Keywords:

Ciencias de la Información, Museología, Hipermedia, Catálogo digital

Abstract

Los museos, templos del ahora, miran hacia nuevas formas de percepción a través del hipermedia. Cada vez más museos de arte apuestan por el uso de hipermedia para cumplir sus funciones educativas, informativas y de difusión. El hipermedia emerge entonces como herramienta didáctica e informativa de gran utilidad. La autora analiza la evolución de esta prótesis digital y propone luminosos recorridos por espacios de arte del mundo. ¿Y entre nosotros cuánta conciencia existe para dejar de digitalizar catálogos?.

Author Biography

Laura Regil

Laura Regil, es candidata a grado de Doctora en Comunicación Audiovisual, por la Universidad Autónoma de Barcelona. Tiene el grado de maestría en Comunicación, por la misma Universidad y maestría en Artes Plásticas, por la Universidad Nacional Autónoma de México. Es profesora titular en la Universidad Pedagógica Nacional (UPN), donde realiza investigaciones sobre Hipermedia, Educación y Arte y es docente en la maestría en Educación Artística y en las diferentes licenciaturas que ahí se imparte. Coordinó la realización del hipermedia "Mirar para Saber: Colección Artística UPN", realizado en soporte CD-ROM, producido por la UPN. Es asesora en el uso de Nuevas Tecnologías en la educación, en la investigación y en el arte. Es autora de los libros “La Caverna Digital. Hipermedia: orígenes y características” y “De la idea a la creación”. Publica artículos y reseñas en revistas internacionales, así como en Narxiso.com y la Revista BIBLIOS.

References

?? ALONSO FERNÁNDEZ, Luis. 1993. Museología: introducción a la teoría y la práctica del museo, Madrid, Istmo.

?? BITZER, Donald. 1968. The computer: a flexible guide to an art museum, en: Computers and their potential applications in museums. New York, Metropolitan Museum of Art-Arno Press, Inc. pp.349-357.

?? CABALLERO ZOREDA, L. 1986. Del objeto al público, Boletín ANABAD, XXXVIII, No. 1-2, Madrid.

?? ECO, Umberto. 1968. Apocalípticos e integrados, Barcelona, Lumen.

?? ECO, Umberto. 1978. La estructura ausente. Barcelona, Lumen ?? FERRATER MORA, José. 1980. Diccionario de filosofía. Madrid, Alianza.

?? FOULQUIE, Paul. 1967. Diccionario del lenguaje filosófico. Barcelona, Labor.

?? GUBERN, Román. 1996. Del bisonte a la realidad virtual: la escena y el laberinto. Barcelona, Anagrama.

?? HIGGINS, Henry H. 1890. "Presidential address" Proceedings, No.37, Museum Association.

?? MANDELBROT, Benoit B. 1987. Los objetos fractales: forma, azar y dimensión, Barcelona, Tusquets.

?? MANDELBROT, Benoit B. 1989. "Fractals and art for the sake of science", Leonardo (Journal of the International Society for the Arts, Sciences and Technology), Núm. extraordinario, pp. 18-23, MIT, Massachusetts.

?? MORENO, Isidro. 1997. Multimedia y museos en España.

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Published

2026-07-09

How to Cite

Regil, L. (2026). Nuevos balcones digitales: la incorporación del hipermedia en los museos de arte. Biblios Journal of Librarianship and Information Science, (12), 01–09. Retrieved from https://biblios.pitt.edu/ojs/biblios/article/view/1527

Issue

No. 12 (2002)

Section

Communications

License

Copyright (c) 2002 Laura Regil

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